Pentangle

I’ve posted before about my affection for the British “folk/rock” movement from back in wayback time, when I was a laddie, ca. late 60s and 70s. I listened to them all: Fairport Convention, Incredible String Band, Pentangle. In the end (or "the final analysis" or "when all is said and done"), I think my favorite is Pentangle. Perhaps that’s a guitar player’s bias-- focusing on the brilliance of John Renbourne and Bert Jansch. But as I listen again now, I’m amazed at Danny Thompson’s virtuosity on the bass and Jacqui McShee’s crystalline voice, and the musicality of them as a group.

I like this first video because ... well because they are just so cool ...like the coolest little chamber ensemble ever. (The audience on the sidelines look like they're just high and groovin' on the vibe). I love seeing folks sing duets (think Gram Parsons and Emmylou Harris, or George Jones and Tammy Wynette) -- there's a connection that comes through the eye contact and the intimate listening that's required. I see it here between Bert Jansch and Jacqui McShee. The whole band feels like they are closely listening to each other. Look for the sweet instrumental break at 1:30 (John Renbourne on guitar). Did I mention that the drumming is simply perfect?



Next is one I remember well: "Wedding Dress." Again, they feel like a chamber ensemble. The drumming is not flashy, but absolutely perfect. And listen to what Danny Thompson’s doing with the bowed bass at 1:43. Beautiful!



I'll close with an instrumental piece from 1971, "In Time," in which Pentangle borders on cigarette enwreathed jazziness. Look for Danny Thompson’s bass break at 1:00 and then again at the close around 3:30.



If I'm sounding over-exhuberant here, it's because it's Friday night.

More Nick Lowe

After listening to him on my headphones last night, I decided to add a follow-up to my Nick Lowe post from last November . I appreciate the clarity of Lowe's lyrics and the stories they tell. He avoids cryptic verse that requires a decoder ring or an English lit degree, yet he's writing poetry. I think it's fair to characterize his songwriting "old school," in the mold of a master like Hoagy Carmichael. Occasionally Lowe verges too closely toward clever or cute, such as this line from his song "All Men Lie":

Do you remember Rick Astley?
Had a big fat hit, it was just ghastly

But then there is this beauty of a tune, "Lately I've Let Things Slide," which is full of both humor and pathos. The video quality is poor, but listen to the words and the phrasing:



I suspect that "I Knew the Bride" was influenced by Chuck Berry's wedding song "C'est La Vie" (aka "You Never Can Tell). Here's a version of that Cajun-flavored tune sung by a young Emmylou Harris. That’s the master of the Telecaster, Albert Lee, picking the guitar (on her left), and Rodney Crowell singing harmony (on her right).